Janice Vidal concert fans will see the singer return to the Hong Kong Coliseum in July, when she stages Be Still, a themed residency that her team says sold out on the first day of public ticket sales.
Janice Vidal (衛蘭) has built a reputation for a sweet, R&B-tinged voice and a personal singing style. Early emotional hits such as “大哥” (“Big Brother”), “心亂如麻” (“Heart in Turmoil”), “My Love My Fate”, and “離家出走” (“Runaway From Home”) became classic favorites for many fans.
Janice Vidal concert returns after four years
After nearly 18 years in the industry, Vidal says the new show is meant to offer calm and emotional release. Be Still will use strings and horns, bespoke visuals, and a band of 19 musicians to shape sections that reflect different feelings, her team said.
“I picked the title because the world feels unstable right now, and people need a place to breathe,” Vidal said during a press interview. “Be Still Inside means finding a way to steady yourself through music.”
Vidal told reporters she hopes the concert will let audiences “focus on the music and feel its healing power,” and that she wants people to leave the arena with a sense of love, peace, and joy.
Voice, growth, and creative freedom
Vidal’s early career began after producer Mark Lui (雷頌德) noticed her, and she recorded backing vocals for Leon Lai before signing as a solo artist. Her debut album, Day & Night, arrived in 2005, followed by My Love the same year, which contained some of the songs fans still cite most.
She said changing labels in recent years has given her more freedom to experiment. “Music is infinite; there is always room to explore and do better,” she said. Vidal added that this freedom helped shape her fourth album under her current company, released earlier this year.
Vidal described her creative process as steady and incremental: “I want to be hands-on, to write and to try different things. That is how you stretch yourself and grow.”
Tickets to the Janice Vidal concert sold out so quickly that Vidal called the response “overwhelming,” and she said the demand shows how eager fans are for live music again.
Handling scrutiny, finding strength in music
Vidal acknowledged she has long faced public comments about her body and image. “At first I cared when people said I was not thin enough,” she said. “When I started strength training and learned to love myself, I found a kind of power and confidence.”
She described herself as emotionally open and said music has been the outlet that helps her process difficult moments. “It helps me face problems, overcome them, and express myself,” she said.
She says her emotional honesty redirected her priorities from chasing fame to deepening her relationship with music. That shift is central to both the Janice Vidal concert concept and her recent recordings.
Concert concept, staging, and the sound
Vidal said the show will move through sections that allow different emotional textures, including quieter acoustic passages and moments with darker, rock-tinged energy. She emphasized the show is not a nostalgia tour, but an attempt to lead listeners into a space of calm and release.
Organizers confirmed the production includes bespoke visual designs and arrangements for strings and horns, and that Vidal is involved in creative decisions for the setlist and staging. “I want people to be able to let go and feel free while I sing,” she said.
Vidal admitted she is nervous about performing at the Hong Kong Coliseum, the city’s major indoor arena in Hung Hom, after a long break in live shows. “Since the pandemic we’ve had fewer chances to perform smaller stages, so stepping back on to the Coliseum feels tense,” she said.
New album, female collaborators
This year Vidal announced a new album created with an all-female production team that explores themes of female autonomy. The lead single “Little Miss Janice” showed a playful inner-child side, and the second single “風靡” was written and composed by Sophy Wong Ka-yi (王嘉儀) and Wong Lok-yi (王樂儀), Vidal said.
She described collaborating with Serrini (梁嘉茵) as natural after seeing Serrini perform live. “After her show I went backstage and asked to work together. I was like, ‘Wow, she is a diva,’ and she agreed right away,” Vidal said. The collaboration produced the track “現代戀愛安全手冊” (“Modern Love Safety Guide”).
Vidal said these partnerships are part of her effort to seek creative breakthroughs and to keep expanding her musical vocabulary.
Vidal highlighted the recent single “It’s OKAY To Be Sad” as one of her most meaningful releases. The song was written in response to a friend whose 22-year-old son died by suicide, and Vidal said she received many messages from fans who said the song helped them cope.
“It is okay to be sad, to be angry, to feel those emotions,” she said. “At some point you also have to learn to let go and try to move on.”
Now in her 40s, Vidal says she feels more comfortable in her skin and is focused on health and training ahead of the show. “I just want to do the best I can,” she said. She hopes the Janice Vidal concert will leave audiences feeling uplifted and healed.
Credits:
Executive Producer: Angus Mok
Producer: Vicky Wai
Photography: Phoebe Wong
Videography: Andy Lee, Joyce Che
Styling: Vicky Wai
Makeup: hongjai_makeup
Hair: Jamie Lee@JamieLeeHair
Video Editor: Joyce Che
Editor: Carson Lin
Designer: Edwina Chan
Wardrobe: Chloe, Net-A-Porter, Jimmy Choo, Chopard
