In March 2026, Hong Kong is hosting Art Basel and Art Central, along with museum and gallery exhibitions across the city, offering local and international shows that celebrate contemporary art and cultural exchange and attract collectors, residents, and visitors seeking immersive experiences.
Whether you are an experienced collector, a culture-seeking visitor, or someone looking for a weekend outing, this guide will help you make the most of the citywide art season. Prepare your museum pass and dive into the monthlong program.
M+
“Ryuichi Sakamoto: Kannon, Listening to Time”
Although composer Ryuichi Sakamoto has died, his sound work continues to resonate and now features at M+ (a museum in the West Kowloon Cultural District in Hong Kong). The large installation async-immersion materializes his album async on an 18-meter LED video wall. Images of piano, books, and instruments flow in shifting sequences while out-of-sync audio creates a sense of entering Sakamoto’s New York studio. The presentation includes Nam June Paik’s All Star Video, documenting New York’s 1980s art scene. In the B2 performance space, time blurs as sound and image weave parallel worlds.
Date: February 14 to July 5, 2026, closed Mondays
Location: M+, B2 performance space, West Kowloon Cultural District
*Free admission
M+ special exhibition
“Lee Bul: Works from 1998 to Present”
The special exhibition “Lee Bul: Works from 1998 to Present” offers a comprehensive survey of the South Korean contemporary artist Lee Bul’s practice from 1998 to today. Co-organized by M+ and the Leeum, Samsung Museum of Art in Seoul, it presents more than 200 works, including early pieces and Lee’s 2024 productions, across multiple media. The show examines human existence, technology, ideals, and cycles of hope and failure.
Date: March 14 to August 9, 2026, closed Mondays
Location: M+, West Exhibition Hall, West Kowloon Cultural District
Art Basel 2026
One of this month’s major events gathers 240 top galleries from 41 countries. A highlight is Zero 10 making its first appearance in Asia, with 14 digital art pioneers presenting NFT works, AI-generated art, and blockchain-based projects that challenge definitions of art. The fair’s curated sector, led by curator Masami Kataoka, uses Asia’s five classical elements, air, water, fire, wind, and earth, to frame 12 large-scale installations. Also on view at Pacific Place, don’t miss Christine Sun Kim’s site-specific digital animation A String of Echo Traps, which explores the translation between sound and visual form.
Date: March 27 to 29, 2026, VIP preview March 25 to 26
Location: Hong Kong Convention and Exhibition Centre
Art Central 2026
Now in its eleventh year, Art Central emphasizes emerging and experimental practices. The new Central Stage features Iranian-American artist Elnaz Javani exploring migration through textiles, and Lithuanian artist Marta Frėjutė deconstructing everyday fictional narratives. Of five major works in the sculpture and installation section, three are by Hong Kong artists: Mok Kaing-ching’s The Solidifying Vessel draws on the city’s first discovered dinosaur fossil, OrangeTerry repurposes a church pew in Faith Readymade, and Wong Yuk-ming presents a responsive field installation. The Neo section showcases 10 galleries with cross-generational work, from founding members of the Anonymity Painting Society to digital artist Maxim Zhestkov.
Date: March 25 to 29, 2026
Hours:
March 25: 12 noon to 5 p.m. public hours, 5 p.m. to 9 p.m. Central Night
March 26 to 27: 12 noon to 7 p.m.
March 28: 11 a.m. to 7 p.m.
March 29: 11 a.m. to 5 p.m.
Location: Waterfront, 9 Lung Wo Road, Central
Harbour City Art Museum
Aka C. (Chiu Wai-shan) solo exhibition “Flicker, Joy, Wish”
Local artist Chiu Wai-shan, known as Aka C., presents her fourth solo show, Flicker, Joy, Wish, in the Harbour City Art Museum. Using signature pen-and-ink in black, white, and gold, her delicate lines and chiaroscuro convey a belief in finding light and blessings within shadow. Curator Rikko supports a new canvas series that expands the artist’s material exploration. The show includes a limited signed print set of zodiac maneki-neko images and a collaboration with high-end lighting brand KOFFA, an installation titled Also Known As that uses 13 pen nibs to mark her 13 years of practice and multiple identities.
Date: February 27 to March 22, 2026
Hours: 11 a.m. to 9 p.m.
Location: Harbour City Art Museum, Ocean Centre, Shop 207, Harbour City
*Free admission
Tai Kwun
“Staying Online: Art and China After 2008” continued chapter “Staying Online: Global Supply”
Global supply here focuses on human stories rather than logistics. From a grassroots perspective, the exhibition features more than 40 Chinese and international artists and presents individual experiences under globalization: Li Yifan’s Not So Much a Dance uses rap to tell migrant worker stories, Foreign Investment applies gold leaf to discarded household items, and Leung Yue-tung invites visitors to swap jokes for smile badge tokens. Each work asks how we remain connected in an era shaped by algorithms. Four thematic units across three floors offer a micro view of the phrase Made in China.
Date: February 28 to May 31, 2026
Hours: 11 a.m. to 7 p.m.
Location: Tai Kwun, Jockey Club Auditorium and Warehouse F
Hong Kong Arts Centre
Collect Hong Kong 2026
This year Collect Hong Kong is organized into four themed sections. Collector’s Choice displays private masterworks; Masters gathers established artists from the 1970s and 1980s; Curator’s Picks highlights works selected by curators; and Hong Kong Talent presents new-generation artists. Works by Chen Haiying, Chow Luk-wan, Ting Yanyong, Lin Fengmian, and others span decades and media, offering an art-historical sweep of the city.
Date: March 21 to 29, 2026
Hours: 10 a.m. to 8 p.m.
Location: Hong Kong Arts Centre, 5th Floor Pao Gallery, G-4/F Jockey Club Galleries, 3/F Cheung Ching-lan Experimental Gallery, and 15/F Art Domain
*Free admission
Hong Kong Arts Centre
Photo Book Fair
Photo-book enthusiasts will find a curated selection from 14 exhibitors, ranging from classic black-and-white work by He Fan to Bao Haoxin’s Book of Changes series, Michael Wolf’s urban studies, and personal viewpoints by Ren Dahua. Independent zines and rare titles such as Tiger Leopard Mary and full-issue Zine publications add treasures for collectors. The three-day fair is a meeting place for photographers, creators, and collectors, and celebrates the tactile pleasures of print photography.
Date: March 20 to 22, 2026
Hours: March 20, 3 p.m. to 9 p.m.; March 21 to 22, 11 a.m. to 7 p.m.
Location: Hong Kong Arts Centre, Jockey Club Galleries, 2nd to 4th Floors
*Free admission
No Idea Gallery
“Solaris” solo exhibition by Chantal Fok
Solaris is Chantal Fok’s solo show that blends Tibetan thangka traditions with Jungian psychology to investigate self-awareness and integration. Using mineral pigments on fabric, Fok combines meticulous gongbi brushwork with thangka structure to depict forests, oceans, celestial bodies, and fields of consciousness. Works including the Full Moon, Celestial Human, Kepler series, and Solaris probe free will, past-life memory, and self-projection, inviting viewers to face inner shadow and light amid flowing natural and cosmic imagery.
Date: March 7 to 23, 2026
Location: No Idea Gallery, Suite 1703, Chinachem Hollywood Centre, 1 Hollywood Road, Central, Hong Kong (near Tai Kwun)
Bonhams
“Where Are the Cats: Li Chun-en Paintings and Collections”
Food writer and artist Li Chun-en turns from cuisine to cats in an imaginative show of more than 30 feline-themed paintings. Cats appear in Monet’s garden, hide in cha chaan teng open-air diners, and travel through Turkey and Japan. Li said, “I paint cats as people so I can relate.” A second section, The Golden Age, displays private collectibles including calligraphy by Jin Yong and correspondence with literary figures, sketching a cultural scene of Hong Kong in the 1980s and 1990s. The exhibition is a gentle conversation about cats, memory, and the city.
Date: February 26 to March 13, 2026
Hours: Monday to Friday 10 a.m. to 6 p.m.; Saturday noon to 6 p.m.
Location: Bonhams Hong Kong, Level 10, Two Pacific Place, 50 Queen’s Road East, Wan Chai
Phillips X
“Zao Wou-Ki: Time and Resonance” exhibition sale
At Phillips Asia’s West Kowloon headquarters, a cross-decade dialogue on Zao Wou-Ki unfolds. The exhibition traces Zao’s shift from figurative to abstract painting and highlights his resonance with Western modernists such as Hans Hofmann, George Matthews, and Sam Francis. Key works include Return Voyage, 1953, a deep indigo seascape evoking Song dynasty water paintings, and Green Caress Orange, 2005, a late-career burst of vitality. The show documents postwar East-West artistic exchange.
Date: March 6 to 29, 2026
Hours: March 6 to 17 Monday to Friday 11 a.m. to 7 p.m.; March 20 to 29 daily 11 a.m. to 7 p.m.
Location: West Kowloon Cultural District, 8 Austin Road West, G/F and 3/F
Hong Kong sand-painter Snow Chung
“City. Seeking Light (Still, There Is Light)”
Sand artist Snow Chung traveled to 15 Hong Kong locations, including Kowloon Walled City remnants and Temple Street market, to reconstruct urban memory with sand and light. Titled Still, the show evokes both persistence and pause. Fifteen sand-and-light works are paired with original music to create an immersive environment. Chung developed a fixation technique that allows ephemeral sand images to remain on view. In the darkened Sand Shadow Seeking Light gallery, visitors remove their shoes and experience the sound and flow of sand. The exhibition is a slow, quiet urban meditation.
Date: February 25 to March 7, 2026
Location: Major Pop Art, G/F, 54 Western Street, Sheung Wan
Hong Kong Design Institute
“Dieter Rams: Less, But Better”
The first Hong Kong retrospective of 93-year-old German designer Dieter Rams, an influence on Apple and Muji, features more than 100 iconic objects from Braun radios to Vitsœ modular furniture. The exhibition highlights his Ten Principles of Good Design, arguing that good design is innovative, useful, and aesthetic. Less, But Better is presented as a design philosophy and a way of living, showing that minimalism can be kind to everyday life.
Date: Now through May 3, 2026
Hours: 10 a.m. to 8 p.m.
Location: HKDI Gallery, Experience Centre, Hong Kong Design Institute, 3 King Ling Road, Tseung Kwan O
Two Yizang Museum
“Fabergé and Cartier: Parallel Journeys”
Two Yizang Museum, in partnership with Palais Royal Hong Kong and supported by the French May Arts Festival and the Russian Studies Centre, presents 105 exceptional objects. Sixty-three clocks and jewels are on loan from Palais Royal, plus 43 powder boxes and silverware from the museum’s permanent collection. The centerpiece is a celebrated Fabergé Easter egg, which traces decades of legend and explores how the two houses influenced jewelry history through mutual influence and innovation.
Date: February 26 to September 1, 2026
Hours: Monday to Friday 10 a.m. to 6 p.m.
Location: Hollywood Road 181 to 199, Sheung Wan
(Reservation only: admission HK$200, approximately US$26, includes a guided tour; full-time students free on Wednesdays with reservation; children under 12 not permitted)
WKM Gallery
Greg Girard: HKG to TYO 1974 to 2023
Canadian photographer Greg Girard’s exhibition HKG to TYO 1974 to 2023 places his Hong Kong and Tokyo images side by side, spanning decades. The show focuses on the cities during periods of industrialization and economic growth, using cinematic night scenes and everyday urban life to capture neon streets, the Kowloon Walled City footprint, and Japanese izakaya interiors, revealing fragility and vitality beneath urban prosperity.
Date: March 21 to May 23, 2026
Hours: Tuesday to Saturday 11 a.m. to 7 p.m., closed Monday, Sunday, and public holidays
Location: 20/F, Koda Design Centre, 62 Wong Chuk Hang Road
The Peninsula Hotels Group
“Art Resonance” 2026
The Peninsula Hotels Group presents three site-specific commissions. Xu Kaijiao embroidered Swimming in Light as an exterior fish wall, Albert Yonathan Setyawan collaborated with the V and A on a ceramics installation titled Metamorphic Modulation, and Dr. Lam Wai-yee created the immersive carpet installation A Bright Future. The program includes themed dining and art-focused stays to deepen the integration of art and hospitality.
Date: March 17 to early May 2026
Location: The Peninsula Hong Kong, Salisbury Road, Tsim Sha Tsui
Hong Kong Museum of Art
“Gardens of Delight: Chinese and International Garden Art”
The Hong Kong Museum of Art traces garden practices through making, visiting, and appreciating gardens. The show ranges from imperial gardens associated with Qianlong and Louis XIV to imagined gardens by artists such as Monet and Zhang Daqian. Two works on loan from the Art Institute of Chicago, Monet’s The Water-Lily Pond from 1900 and another Water-Lily from 1906, allow close comparison of the master’s evolving language and style.
“Gardens of Delight: Chinese and International Garden Art”
Date: April 24 to July 29, 2026
Location: Hong Kong Museum of Art, 2nd Floor Special Gallery
*Free admission
Hong Kong Arts Development Council
“Diluted to Transparency”
Using office furniture and equipment as material, the installation reconfigures a heterotopia between fiction and reality. The work addresses how artificial intelligence quietly reshapes work and labor, blurring human roles and dissolving boundaries into transparency. Visitors walk through familiar yet strange settings to experience the coexistence of people and technology and to reflect on labor, identity, and value in a posthuman era.
Date: March 21 to April 19, 2026, closed Mondays except April 6
Hours: Saturday to Wednesday noon to 7 p.m., Thursday and Friday noon to 8:30 p.m.
Location: Exhibition Hall, Landmark South, 39 Yip Kan Street, Wong Chuk Hang
Gagosian
Mary Weatherford “Persephone”
Gagosian brings Mary Weatherford’s first Asia solo exhibition. Persephone draws on the Greek mythic queen of the underworld and presents new paintings on linen made with acrylic latex paint, some incorporating neon tubes, shells, and coral. Three connected galleries by Johnston Marklee create a narrative journey from underworld to return, paying homage to Hong Kong’s neon culture and extending the city’s legacy as a city of light.
Date: March 24 to May 2, 2026
Location: Gagosian, 7/F, 12 Pedder Street, Central
HART HAUS
Li Yuk-ki “Double Blue: Hong Kong Fairy Tale Chapters (Part I)”
Artist Li Yuk-ki rewrites Hong Kong fairy tales with experimental animation. Using AI to map city stories, Li transforms Hong Kong into two flowing blue trajectories representing sea and sky. Works include The Sinking of My Eyes Into Yours, run time 2 minutes 24 seconds, and The Piper’s Summons Has No Echo, Only Flow, which explore the complexity and mobility of place. Curator Wong Ming-lok designs the gallery as a layered narrative between urban landscape and psychological space.
Date: March 14 to April 7, 2026
Location: HART HAUS, 3rd Floor, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town
Hours: Tuesday to Sunday 11 a.m. to 6 p.m., by reservation: https://www.hart.haus/exhibitions/double-blue
Henderson Land x Cj Hendry Flower Market
To mark Henderson Land’s 50th anniversary, Australian hyperrealist artist Cj Hendry presents her first Asian Flower Market. A greenhouse pavilion on the Central waterfront displays 26 designs totaling more than 150,000 plush flowers. Two Hong Kong exclusives celebrate Henderson’s 50th, the Henderson Flower, and the Bauhinia, symbolizing Hong Kong. Each visitor may take one plush flower for free; additional purchases are HK$38, approximately US$4.86 per stem.
Date: March 19 to 22, 2026
Location: AIA Vitality Park, 33 Man Kwong Street, Central
*Free entry, registration required; limited capacity, first come first served
Central Yards
Central Art Tasting Exhibition
Beyond gallery hopping, Central Yards pairs art with food in 10 immersive themed rooms, each with a unique creative snack. The guided, one-way flow blends new pop art and surreal spaces and is suitable for participants age three and older. Estimated visit time is 45 to 60 minutes. Each ticket includes entry and 10 specially designed snacks, making it a strong family option.
Date: March 26 to April 5, 2026
Hours: 10 a.m. to 10 p.m., last entry 9 p.m.
Location: Central Waterfront Event Space
Guanwen Space
“Chuanlong Visual Record: Inheritance and New Chapters — Flowing Mountains”
Chuanlong Visual Record: Inheritance and New Chapters is a research-based exhibition emerging from the Hong Kong International Photography Festival. It consolidates fieldwork and artistic projects from Chuanlong Village starting in 2024. The project invited artists and research partners to create a local visual archive across sound, memory, ecology, seeds, and animals, documenting the village’s shift from agricultural life to contemporary forms. The exhibition emphasizes resident participation and community co-creation, pairing diverse works with public programs to sustain intergenerational dialogue and preserve Chuanlong’s cultural and natural memory.
Date: January 31 to March 31, 2026, open daily
Hours: 10 a.m. to 5 p.m.
Location: Chuanlong Village, 338 Tsuen Kam Highway, Tsuen Wan
Xianying Studio
“Between Body and Bloom”
Xianying Studio presents Qin Siqi’s first Hong Kong photography solo show, Between Body and Bloom, which features the series Body Art and Flora. The Body Art images draw inspiration from Mapplethorpe and emphasize sculptural tension in the human form, while the Flora series blends floral arrangement and photography, referencing O’Keeffe to link mythic imagery with themes of life, desire, and vulnerability.
Date: March 21 to May 9, 2026
Hours: Wednesday to Saturday 2 p.m. to 7 p.m., by appointment
Location: Xianying Studio, Room 6J, Block 2, Kam Loi Industrial Building, 33 Yip Kan Street, Wong Chuk Hang
Siyi Foundation
“Our City” deep tour exhibition
To commemorate Hong Kong writer Sze Sze, the Sze Sze Foundation established the Sze Sze Space in Wan Chai and launches the Our City deep tour. From March 6, registration opens on art-mate. The program centers on the 1975 novel Our City, splitting its 18 chapters into 18 guided segments and producing the Repainting Our City exhibition with 18 local painters responding to the text. The show includes rare clippings, manuscripts, and editions, reimagining Sze Sze’s literary scene and showcasing her poetic innovation in writing about Hong Kong.
“Our City” deep tour exhibition
Date: March 1 to December 31, 2026
Hours: 2 p.m. to 7 p.m., closed Monday, Tuesday, and Thursday
Location: Sze Sze Space, 7th Floor, Fortune House, 365 Hennessy Road, Wan Chai
*Admission: paid, HK$50 per person, approximately US$6.40
“Repainting Our City” exhibition
Date: March 12 to April 12, 2026
Hours: Tuesday to Sunday noon to 7 p.m., closed Monday, open on public holidays
Location: Yrellag Gallery, Prince’s Terrace, Central
*Free admission
The Ritz-Carlton, Hong Kong
“Er Hui” installation “Existence Within Nonexistence”
The Ritz-Carlton, Hong Kong invited local bamboo craft brand Er Hui to present a lobby installation titled Existence Within Nonexistence on the 103rd floor. Consisting of six bamboo works woven in an open hexagonal stitch and finished with raw lacquer, the series took three years to complete. Using bamboo’s flexibility and traces of time, the works explore inarticulable yet real emotional memory. The artist invites visitors to slow down and experience balance between stillness and resilience in a high-altitude public space. The hotel hopes to make public areas sites for cultural and emotional exchange.
Date: Now through April 8, 2026
Location: The Ritz-Carlton, Hong Kong, Lobby, 103rd Floor
*Open to the public, free
ArtHouse Tai Hang
Supported by the Hong Kong Tourism Board, ArtHouse Tai Hang transforms the Tai Hang neighborhood into a mobile art museum in March. More than 50 local and international artists show work across 10 venues, guiding visitors through old houses and narrow lanes. Featured artists include Xiong Hui, Jason Ho, Tomohiro Takahashi, and Antone Konst. The festival offers curated taxi tours bookable through the DASH App, led by curators, and community co-creation activities that invite audience participation to deepen neighborhood arts ties.
Date: March 21 to 25, 2026
Hours: 11 a.m. to 6 p.m.
Visitor Centre: Little Tai Hang, 98 Tung Lo Wan Road, Causeway Bay
Tickets: available on the DASH App, HK$250, approximately US$32
*During the festival, ticket holders who registered via DASH receive a HK$50 consumption voucher, approximately US$6.40, for designated Tai Hang merchants and a HK$30 DASH taxi voucher, approximately US$3.84
JW Marriott Hong Kong
Site-specific floor by sculptor Richard X. Zawitz
For Art March, JW Marriott Hong Kong collaborated with international sculptor Richard X. Zawitz to create an Infinity guest-floor concept on the 34th floor, the city’s first immersive floor conceived by a single artist. Zawitz, known for combining Daoist ideas and curvilinear aesthetics in steel sculpture, populates rooms and suites with works from his Infinity series, including Infinite Child and Infinite Horse sculptures and bespoke furniture. The hotel also opens his solo exhibition to the public starting March 18, demonstrating how contemporary art can be woven into hospitality to offer guests a balanced art and wellness stay.
Date: Now through April 2026
Location: JW Marriott Hong Kong, Pacific Place, 88 Queensway, Admiralty
Taikoo Place ArtisTree
Spanish artist Coco Capitán in her first Hong Kong solo show
“ArtisTree Selects: Imagination Investments”
Taikoo Place ArtisTree presents Coco Capitán’s first Hong Kong solo exhibition, spanning ArtisTree and Taikoo Place public spaces in three chapters. Naïvy uses photography and text to explore the sea, freedom, and drift. I Read While I Walk turns handwritten lines of poetry into a nearly half-kilometer text installation integrated into daily walking routes. Memory Adoption Bureau invites visitors to adopt old photographs and participate in memory transformation. The free exhibition blends public art and community interaction, asking how city, time, and emotion connect.
Date: March 19 to April 26, 2026
Hours: Monday to Friday noon to 8 p.m.; Saturday, Sunday, and public holidays 11 a.m. to 8 p.m.
Location: ArtisTree, 1/F, Taikoo Place, 979 King’s Road, Quarry Bay, plus pedestrian corridors and Taikoo Place East Centre 67/F
“Ve(ry)nice”
Do you know there are traces of Venice in Hong Kong too? Ve(ry)nice is a highlight of Art March 2026 at Jacomax in Tsim Sha Tsui. Curated by MAK2, Wong Ka-ying, and Ng Ka-yu, the pop-up gathers 15 Hong Kong artists to challenge the Venice Biennale’s symbolic power and cultural homogenization. Using AI, video, prints, and installation, the show demystifies Hong Kong’s projection of Western place names and questions colonial-era naming psychology. Located in an Italian-run pizza bar, the exhibition places art discussion within everyday dining and social life to rebuild Hong Kong cultural narratives and confidence.
Date: March 21 to 29, 2026
Hours: noon to 10:30 p.m.
Location: Jacomax Tsim Sha Tsui, SHOP 207, 2/F, Phase 1, Mira Place, 132 Nathan Road, Tsim Sha Tsui
DJ Night and program highlights: Singing on the Canton-la, Venice Sunset Live Cam in HK
Date and time: Saturday, March 28, 2026, 9 p.m. to midnight
DJs: Chow Hung-pan, Alexmalism, ASTROJOKE, FINGERGAP
Tattoo Pop-Up Station by Li Ning: Saturday, March 28, 6 p.m. to 9 p.m.
Para Site
30th anniversary exhibition “Easier Than Renting”
As part of Hong Kong Art Week, Para Site celebrates 30 years with Easier Than Renting. The exhibition brings together artists born in the 1970s to the 1990s and features new commissions and recent works that consider urban change, belonging, and the tension between development and lived reality. The program invites you to experience scenes that inhabit daily life and drift between perception and imagination.
Date: March 23 to 29, 2026, 11 a.m. to 7 p.m. daily
Location: 22/F, Wing Wah Industrial Building, 677 King’s Road, Quarry Bay
*Free admission
JPS Gallery
Marino Funahashi first overseas solo show “FILTER: Reconstructing the Unseen” and Ken Ikeda selected exhibition “Cartography of Smoke”
JPS Gallery presents Marino Funahashi’s first overseas solo show, FILTER: Reconstructing the Unseen, centered on extraction and the sensory impressions of memory, time, and nature. Using layered oil, acrylic, and resin, Funahashi’s RAIN—Window series captures rain, mist, and reflections in a poetic, liminal space. The artist emphasizes natural time as a subject, inviting viewers to recall hidden memories through color and texture.
JPS also presents Ken Ikeda’s Cartography of Smoke, made from cigar ribbons, tobacco boxes, copper rivets, and traditional Japanese textiles. Through collage, weaving, and installation, Ikeda traces global trade and colonial history since 1492 and interrogates contemporary brands and luxury power structures. He deconstructs symbols of authority to reveal labor, cultural memory, and institutional contexts behind commodity value and to rethink trust and luxury.
Date: March 20 to April 18, 2026
Location: JPS Gallery, G/F, 88 to 90 Staunton Street, Central
Gallery EXIT
Dony Cheng Hung, Hazel Wong Mei Yin, Fares Thabet
Gallery EXIT presents three concurrent shows: Dony Cheng Hung’s Time Objects, Hazel Wong Mei Yin’s Receding Landscapes, and Tunisian artist Fares Thabet’s Pillow Sky. Cheng’s work reflects on the shift from ritual time to a speed- and metrics-driven sense of time, materializing time as objects. Wong’s practice traces distance, memory, and emotion in transitional travel between Sapporo and Hong Kong, using window views to explore liminality. Thabet paints imagined Mediterranean light-filled landscapes that hover between reality and dream.
Date: March 21 to April 25, 2026
Location: Gallery EXIT, 3rd and 13th Floors, Daisang Industrial Building, 25 Hing Wah Street, Tin Wan, Aberdeen
Oil Street Art Space
Cheng Jing “Oil Street Focus: Space Ecology Poetics” and Chen Huili “Left-Spiral Bathhouse”
Oil Street Art Space launches two annual Oil Street Focus exhibitions. Cheng Jing’s first Hong Kong solo combines water, sound, light, and air to reconstruct urban memory and spatial perception, weaving tram sounds and market calls into an underwater sensation. Outdoor sculptures respond to nature and place. Chen Huili extends her swimming series in Left-Spiral Bathhouse, building heart-shaped ceramic pools and fog-filled spaces to examine public and private intimacy and create an interplay of illusion and sensation.
“Oil Street Focus: Space Ecology Poetics: Cheng Jing”
Date: March 19 to October 11, 2026
Location: Oil Street Art Space, 12 Oil Street, North Point
“Oil Street Focus: Left-Spiral Bathhouse”
Date: March 19 to August 30, 2026
Location: Oil Street Art Space, 12 Oil Street, North Point
*Both exhibitions free
HKMoA
“The Present — Hong Kong Art Exhibition”
“The Present — Hong Kong Art Exhibition” centers on city, landscape, reality and illusion, and variation. Nineteen active local artists present painting, ink, sculpture, video, installation, and multimedia works that reflect Hong Kong’s hybrid identity. A Ground Annex features Inspiration Live and open studios, and a video series, Into the Art Scene, offers viewers insight into artists’ processes from idea to finished work.
Date: From March 20, 2026
Location: 2nd Floor Hong Kong Art Gallery and lobby public spaces, Ground Annex
David Zwirner
“Walter Price: Pearl Lines”
New York artist Walter Price’s Pearl Lines is his first solo exhibition in Asia and his second collaboration with the gallery since joining in 2024. Born in 1989, Price is known for vibrant color and loose composition that move between figurative and abstract. His paintings experiment with color, line, and space while shifting perspective to create ambiguous, tension-filled scenes that invite viewer interpretation. The show presents recent paintings that highlight Price’s rhythmic, imaginative visual language.
Date: March 24 to May 9, 2026
Location: David Zwirner, H Queen’s, 5th and 6th Floors, 80 Queen’s Road Central
Hours: Tuesday to Saturday 11 a.m. to 7 p.m.
Hauser Wirth
Nicole Eisenman Asia debut “Fallen Angels”
Nicole Eisenman presents Fallen Angels with 11 recent paintings and three sculptures exploring family, work, and beach life in middle-class scenes rendered with subdued intensity. The works are quiet but unsettled, often with dark skies outside windows suggesting a dimming external world. Paint is repeatedly revised and layered, emphasizing materiality and traces of time. Pieces such as Self-Portrait Under Deadline and In Process examine creative anxiety. A Banana Chandelier made of dried banana peels continues an ongoing minority art practice. The beach series suggests an apocalyptic mood where there is no escape and time is short.
Date: March 24 to May 30, 2026
Location: Hauser Wirth Hong Kong, G/F, 8 Queen’s Road Central
13A New Street Art Gallery
Group show “Bon A Petite”
Bon A Petite centers on small, accessible works from eight artists across Japan, New York, Taiwan, the Philippines, and Hong Kong. The show includes small original works and limited edition art toys, offering a lower-cost entry into collecting during Art March. Highlights include YSK_Quality’s inlay woodworking and skateboard material pieces, animator Mami Mog’s hand-drawn originals, and Mr. Likey’s GUMBI Bear series. The curators aim to lower price barriers so new collectors can bring art into daily life.
Date: March 19 to April 5, 2026, Wednesday to Sunday
Hours: noon to 7 p.m.
Location: 13A New Street Art Gallery
Featured artists: Candy Mary, Distort Monster, Donna Yuen, Leonlollipop, Mami Mog, Mr. Likey, Yasuhito Kawasaki, and YSK-Q
Pacific Place
Art Basel Hong Kong off-site program “ArtisTree Selects”
Pacific Place returns as the only off-site venue for the Art Basel Hong Kong curated sector for the fourth consecutive year, partnering with the Star Street precinct for a two-part creative experience. Pacific Place presents Christine Sun Kim’s largest site-specific installation in Hong Kong, A String of Echo Traps, featuring a cube of video and floor murals that examine echo and sound translation. Star Street features Gabriel Rico’s cactus sculpture I Have Anticipated You II, which blends nature and everyday objects to address desire and cultural imagination.
Date: March 21 to April 12, 2026
Locations: Pacific Place and Star Street precinct
Eaton Hotel Hong Kong
Sharu B. Sikdar solo show, Joshua Serafin exhibition, and crossover party “Ancestral Frequencies”
Eaton Hotel hosts an Art Month program titled Resonant Hearts that foregrounds bodily experience, vulnerability, and collective transformation. Tomorrow Maybe Gallery partners again with the hotel to present Sharu B. Sikdar’s Stepping Stones Won’t Break My Bones, an installation of stone and eggshell that addresses pain, resilience, and healing. Joshua Serafin’s Grieve the Departed Wound combines performance, installation, and video to reframe narratives of trauma and mourning. On March 26, a crossover party, Ancestral Frequencies, blends queer performance and electronic music to extend art into nightlife.
Sharu B. Sikdar: Stepping Stones Won’t Break My Bones
Location: Art Basel Hong Kong, Level 1 Lobby, Institution Booth 04
Dates: March 27 to 29, 2026 (VIP preview March 25 to 26)
Workshop: March 28, 12:30 p.m. to 2 p.m.
Joshua Serafin: Grieve the Departed Wound
Location: Eaton Hotel, 4th Floor Tomorrow Maybe, 380 Nathan Road, Kowloon
Date: March 21 to May 10, 2026
Ancestral Frequencies party
Location: Eaton Hotel, 4th Floor, Terrible Baby
Date: March 26, 2026
Time: 9 p.m. start
Artists: Joshua Serafin, Abyss X, Zoë Marden, Sonia Wong, Dis Fig, Ricky Foong
Antiquities and Monuments Office
“Han Splendor: A Grand Era of Power and Fusion” major exhibition
Han Splendor focuses on the Han dynasty, 202 B.C. to 220 A.D., examining political unification, economic prosperity, technological innovation, and cultural exchange. Co-organized by the State Administration of Cultural Heritage and the Development Bureau, the exhibition is arranged into six units: politics, economy, belief and culture, technology, social life, and foreign exchange. It features 252 precious artifacts and sets, including 40 first-class relics and many mainland items shown in Hong Kong for the first time, together with locally unearthed Han-era finds to present a plural and unified view of early Chinese civilization and maritime Silk Road connections.
Date: March 20 to September 20, 2026
Hours: Monday to Wednesday and Friday 10 a.m. to 6 p.m.; Saturday, Sunday, and public holidays 10 a.m. to 7 p.m.; closed Thursday except public holidays
Location: Hong Kong Heritage Discovery Centre, Special Exhibition Hall and 1st Floor, KCR Park, Tsim Sha Tsui
*Free admission
K11 MUSEA
MUSE STUDIO cross-discipline program of art, design, and music
K11 MUSEA launches a three-month cross-disciplinary program, MUSE STUDIO, combining art, design, and music in six experiences. Key events include Japanese artist Inada Yukimasa’s Hong Kong solo show from March 25 to April 12; the Social Club Series outdoor music festival Odyssey: City in the Sky on March 28; a sake and music event SWEET, SOUR, TEARS on April 12; Gentle Pause with live jazz reimagining Wong Kar-wai’s Chungking Express on May 1 and 2; the global debut of Bosideng x Kim Jones AREAL pop-up from March 26 to April 7; and Gate.com x Red Bull’s Racing the Future F1 crossover exhibition April 17 to 25.
The Land Company
“Art Walk Central”
The Land Company presents Art Walk Central for Art Month, turning Central into an outdoor gallery with bilingual guided tours and an art map connecting sculptures, installations, and exhibitions, including Henry Moore’s work. Two major thematic shows are on view: The Land Art Collection: A Century of Artistic Relations through April 10 and Sources of Memory: Reconstructing Stories through June 19. On March 29, Chater Road hosts the OPEN street party and HKwalls finale with electronic music and live mural painting. The Land Plaza also presents Art LANDMARK projects, including large hexagonal installations and a Pop Pattern design show that merge art, community, and urban space.
Date: March 21 to April 4, 2026
Locations: The Central Exchange Plaza 3rd Floor Grand Hall, 1/F Jardine House, Central, and Chater Road pedestrian zone
